86000 Sekunden
Documentary film.
Documentary film.
This fascinating biography faithfully recalls the highs and some of the lows of this remarkable driver's career, featuring extensive and rare archive material and personal anecdotes and tributes from Bette and Damon Hill as well as former collegues.
This definitive biography features an extensive personal interview (recorded just a year before his death) in which James recalls the major stages of his career and is combined with exciting archival material.
This is the story, told in his own eloquent words, and liberally illustrated with rare archive material - much of it previously unseen. In fact, we feature action footage of Moss driving no less than 33 different models of racing car, a reflection of not only Stirling's extraordinary career but also the nostalgic treats that await the viewer of this DVD
Sprightly amusement for kids of all ages, Disney's direct-to-video sequel to its animated hit sandwiches jungle derring-do and lots of silly sight gags between song and dance number. With the first anniversary of her wedding to Tarzan (voice of Michael T. Weiss) beckoning, Jane (Olivia D'Abo) ponders how to make it the perfect English celebration
A documentary that focuses on the history of Hip Hop culture in The Netherlands. Through interviews, archive material and music the evolution of Dutch Hip Hop (Rotterdam in particular) is covered between 1979 and 2001.
At a Labor Day picnic, a gay teenager struggles to keep his cool as his best friend brags about the size of his muscles and other attributes.
A Banker, Husband, and Father, Mr. Smith must leave it behind him. He's made a mistake and he's trying to pay for it but he doesn't know if there is enough money in the world. Or so he tells Bobby the eighteen year old male hustler Smith employs for company. Bobby quickly learns however, that Smith is no regular John, and their meeting has unintended consequences that neither of them is prepared to afford.
"Whilst making Mapping Perception I discovered this ‘found footage’, originating from somewhere in France and felt compelled to incorporating it into a piece of work. There is a direct correlation with my interests in the ‘normal’ and the ‘abnormal’, the ‘valid’ and the ‘invalid’, the ‘worthy’ and the ‘unworthy’ that has informed a lot of my work." – Andrew Kötting