Sonja, an attractive blonde, picks up a man with a foreign accent in a bar. He quotes the Persian poet Hafiz to her and tells her he's a writer working on an erotic story about a man and woman who meet in a bar. She invites him to go home with her for the next part of the story - and everything goes wrong.
Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.
The women of a small Indian village band together when they discover a possible solution for a badly needed well, and the men of the village fail to do what needs to be done.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
A sociological study of two men in the Israeli army who are lovers. The others in the unit react to their situation, suspecting, but not always understanding. One will leave the military soon, a few months away, as a snowy and desolate outpost is guarded from attack.
Produced for the 30th anniversary of the film's theatrical release, this documentary gives a behind-the-scenes look at the making of a film about brutal murder and even more brutal revenge that has become one of the classics of the modern horror genre. Includes interviews with the cast and crew, including director Wes Craven, who relates some of the difficulties he had getting the film finished and released.
Reluctant rock hero J.J. Cale takes the spotlight for this 80-minute session, recorded in Los Angeles in 1979 but virtually unseen until 2001. The reclusive, Oklahoma-born Cale is probably best known for writing songs made famous by others ("After Midnight" and "Cocaine" by Eric Clapton, "Call Me the Breeze" by Lynyrd Skynyrd). Those are among the some two dozen tunes heard here (five of which, including "Breeze," are audio-only bonus tracks), as is Cale's own minor hit, "Crazy Mama." The latter is a good example of the witty, laconic groove that Cale, a superb guitar player and laid-back vocalist, brings to much of his music, an appealing style that's been an obvious influence on Mark Knopfler and others.
A work comprising all the films shot by the artist over four years.