A Little Comfort
Arnaud and Guillaume are in their last year of high school. Summer is approaching and like any teenager, they're thinking about cigarettes, alcohol and sex. But boys or girls? Future looks so blurry when you're a teenager!
Nobody's Child
Nobody's Child is a Singaporean film, directed by Lin Wenhui. Together with her parents and younger brother, Shuangshuang left Malaysia for Singapore. The husband and wife rented a food stall. But poor business forced Shuangshuang's father to find a job back in Malaysia, leaving his wife, Danping, to run the stall with Shuangshuang. Danping never appreciated Shuangshuang's competence. Shuangshuang's father soon stopped remitting money and even had an affair. He asked for a divorce when his lover became pregnant. In her quest to get back at her husband, Danping slept with Obit when the latter's wife was away. Shuangshuang heard on the news about how Phuket was hit by the tsunami. Worried for her mum's safety, she tried calling her in vain. Shuangshuang told Wei about how her mum could be a victim in the tsunami and how Obit violated her. Enraged, Wei confronted Obit. Shuangshuang was stabbed in the back as she tried to separate the two men.
Niagara Falls: Raging Rapids
Now, in an inspiring film, we probe the secrets of Niagara Falls. From helicopter and speedboat, at high-tech labs and at rope's end, we join earth scientists as they struggle to piece together the epic life story of North America's most celebrated natural wonder. We experience the Falls that daredevils and stunters could never tame -- the Niagara that is a vertical battleground between water and rock. Most think of it as a vision eternal, but in fact, Niagara's life has been a geological blink of the eye. Only a hundred and twenty five centuries ago it was unleashed, born of the last glacial surge that swept the continent. Since then, it has traveled more than seven miles upriver, cutting the Earth's crust like a knife. Its relentless procession has granted scientists a breathtaking window into the past.
Nocturne
David spends the last of his money on a room at the luxury hotel Waldhaus, where he plans to commit suicide. As part of his final act he invites his unsuspecting brother Gian along, ostensibly to spend his last days with him. Unexpectedly, Gian comes along with his girlfriend Valeria. David’s decision to end his life is constantly with them, and as the trio float through the days at the hotel, they come face to face with their past, unfulfilled dreams and an almost unbearable present. Eventually, Valeria becomes so captivated by David’s suicidal romanticism that the three of them end up in a ménage à trois – either their salvation or the end for each of them.
Nocturnus: A Farewell to Planet Earth
This compilation of death metal band Nocturnus's concerts and appearances is a rare treat, providing a glimpse of the group's evolution over six years -- from their 1991 "The Key" tour to their 1997 musical expedition in support of "Ethereal Tomb." Even better, the entire visual document is captured by fans themselves, who share their own footage and their perspective on a band that has stood the test of time.
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Nonfriction
A film about insane skimming at the sickest spots.
No Memory Woman
One day, when Mami (Yoko Mitsuya) wakes up in a strange room ... Beside her is a strange man, Yu (Ryosuke Watabe). Eventually Mami and Yu fell in love. Her younger sister Sato (Nahana) is worried about Mami who has lost contact. Sato consults with her boyfriend. However, Sato's boyfriend was Yu.
Nosferatu, The Friendly Vampire
He may be "Lord of the Undead," but that doesn't mean poor Nosferatu has an easy time making friends.
North Korea: A Day in the Life
If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended