An Unreasonable Man is a 2006 documentary film that traces the life and career of political activist Ralph Nader, the founder of modern consumer protection. The film examines Nader's advocacy for auto safety features, such as federally mandated seat belts and air bags, as well as his rise to national prominence following an invasion of privacy lawsuit against General Motors.
Seven militant women (fedaiyat) of the revolutionary generation tell the story of the Palestinian resistance through accounts of their own lives. Cut from 35 hours of interviews with leaders of the armed struggle, the film presents an image of confident, unapologetic and proud feminine identity. Together, the memories of these women narrate the dream of a generation, yet unrealized.
A 2007 documentary examining the collaboration between Teshigahara and novelist Kobo Abe, featuring interviews with film scholars Donald Richie and Tadao Sato, film programmer Richard Peña, set designer Arata Isozaki, producer Noriko Nomura, and screenwriter John Nathan
Two camera rolls shot at the Collective Unconscious during a performance of "Teslamania" featuring Gecko Saccomanno and Tesla Coil Engineer Jamie Mereness. The film's visual effects, double exposures and refracted images were all done in camera, just as we see them here. On the soundtrack, Gecko provides various "Tesla tidbits," including Tesla's scheme to provide free electricity transmitted through the air, anecdotes about the Collective's Tesla Coil performances, "Tesla cooking," and a list of the inventor Nikoli Tesla's many exotic phobias.
Much more interesting is the wordless Serge de Cotret's "Theocordis" (2007), a creepy and atmospheric Canadian exercise in religious iconography as the Super 8 camera prowls around a church intercut with disturbing juxtapositions of Christ images and a victimized woman.
In an era marked by an oversaturated video market, a leader must emerge to challenge the boundaries of what is considered normal, and show the way for generations to come. There is one single team in snowboarding that has led the charge in progressing the level of riding, defining the formula that all others have since tried to duplicate. That team is the Forum team, and the time for THAT team video is now.
Jacob Berger’s film shows a day in the life of a family. People meet and leave, and wonder, will they find themselves again? At daybreak, Serge believes he has committed a crime. Pietra realises that she has been betrayed around midday. At one o’clock 8-year-old Vlad feels lovesick for the first time. The day is spent observing, looking, avoiding and meeting each other. One day, three different perspectives: the same evening twilight, the same loneliness. And there is always the stranger who crosses their path. How will Serge, Pietra and Vlad find each other?
Inspired in part by a poem by Toronto poet Ryan Kamstra, the acrobat is a consideration of the relationship of gravity and politics – the beauty and necessity of rising up, but also, perhaps, the significance of allowing oneself to fall. If the force of gravity is in relation to both mass and proximity, how does the force of politics resonate across space and time?
Burlesque mavens Sasha Van Bon Bon and Kitty Neptune use their inimitable style to skewer that most contrary of movements from the early 20th Century. Dancers in suitcases and story-telling plushies are just some of the “anti-art” craziness paying homage to the grandchildren of the radical anti-establishment movement.
“I made The After Life using images out of a tiny mini-camcorder called a Flip that I bought on amazon.com for $98.00. All I did with the material was work with arrangements of frames along a timeline to setup what Eisenstein called “collisions” (for him a colliding of shots, for me, a colliding of frames). On rare occasions, Eisenstein substituted the word “copulation” for the word “collision” in describing the dynamics of his montage theory. In The After Life, it’s all copulation all the time. Bodies attract, bodies intersect and new creatures stream forth. In The After Life uninhibited promiscuity is what makes the world go round. It can’t be all bad.” (FW)