An Unreasonable Man

An Unreasonable Man is a 2006 documentary film that traces the life and career of political activist Ralph Nader, the founder of modern consumer protection. The film examines Nader's advocacy for auto safety features, such as federally mandated seat belts and air bags, as well as his rise to national prominence following an invasion of privacy lawsuit against General Motors.

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About Elsewhere

About Elsewhere seeks to foreground the impossibility of fixing notions of sexuality through ideas of 'identity' and 'language'. As the film moves through the various worlds the filmmaker inhabits, it suggests a self in constant formation; one that constructs itself from parts and places that are in themselves, fragments of memory and experience.

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About Zero

A sequence of likely urban architecture is represented from a long running-shot, doubled in a mirror effect. In this video, only the floating architectures are visible: that creates a landscape which seems real and impossible, at the same time.

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Absolutely Safe

Filmmaker Carol Ciancutti-Leyva offers this penetrating look at the bewildering array of questions, opinions and troubling safety concerns that face everyday women who are contemplating breast augmentation. Following the stories of two women -- one who chooses to have implants, another who has her implants removed -- the film chronicles how big business, media and the medical community influence the debate surrounding the controversial procedure.

Accidental Son

The documentary Accidental Son is an autobiographic story of Robert Zuber. As a child, Robert grew up in a children’s home and was later adopted by a foster family. He never paid much attention to it because his foster parents loved him as their own child. But, after the death of his foster mother, the bureaucratic apparatus tries to convince him that he actually has no parents. On his 31st birthday, Robert decides to straighten things out. He gets in touch with his biological mother and tries to find out the facts of his early childhood. At the same time, he wants to know who his biological father is. This search is full surprises. The film is a part of UNICEF’s campaign ‘Every Child Needs a Family'.

Aching Heart

Story Aching Heart Movie Poster Aching Heart Cast & Crew Production Company: Country: Sweden Language: Swedish Adult: No Genres…

Across the Plateau

The extraordinary story of seven Chinese men and women, all of them retired, who embark on a 3,100 kilometre journey from Lanzhou, a smoggy industrial city in north west China, across the Tibetan plateau to Everest Base Camp.

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Actiongirls: Soldiers of the Dead - Part 1

Based in the future, the world as we know it has been destroyed. Menacing gangs loot the cities searching for new members. The most notorious of the these gangs is known as Helman's Death Squad. Helman a female slave trader searches for female fighters to compete in his Arena of Death. Winners have a chance of escaping their slavery by leading by his side as his queen. Adriana Zarcova (dressed as nazi) Helman's most prized possession tires of her boyfriend's love affairs and decides to start her own organization when she accidentally stumbles upon secret government plans to create super soldiers of the undead. Adriana uses her newfound plan to to raise a super army of the Undead to crush her boyfriends most prized female fighters. Alone and outnumbered the Actiongirls must battle Zarcova'a growing army of dead soldiers in a fight to the finish.

Adaptive Lines

A text by Vito Acconci supported the process of this work. In “Vito Acconci on Activity”, he talks about adaptive lines of action: “A performance can consist of performing (adhering to the terms of) a particular element (a rule, a space, a previous performance, another person)…..the performance can be set up as a learning process. When the performer makes a move, the consequences of his behavior can control his next move. The use of feedback can steady and bring into unison one stage of the performance, after which can come change as new material is imported and adapted to. The performer can work as a producer; the performance pattern can be linear—a series of additions of material. And energy. Or he can work as a consumer.” –Vito Acconci, 1971

Aditi Singh

In the office of Mumbai University, Aditi, a nineteen years old secretary writes a letter to the office's head, Rajiv, to know his intentions toward her.