Four Roads to Hell

Like a good ghost story? Then turn out the lights and prepare to feel a chill as Japan's masters of the macabre spin some of the creepiest spectral sagas to grace the screen. Four Roads To Hell is an anthology featuring short stories based on true accounts as collected from writers Hirokatsu Kihara and Ichiro Nakayama. This is part of the "Tales Of Terror From Japan" series.

Spider-Man 3

The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.

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Still Longshots

In this follow up to the Longshots (1994), a group of at risk youth spend a weekend with a group of former street kids who did a similar workshop a decade earlier. Now in their 30s, they share their stories with their younger counterparts. Surprising, and often disturbing, parallels emerge between the two groups, along with glimmers of hope for the youth.

Story of Nothing

Something tries to find Nothing, and a philosophical chase ensues.

The Italian Writer

In the future, Joseph enters a bookshop searching for an Italian writer. While he searches for the name "Firenze" in the database, he recounts the story of a woman he had met 30 years ago. Lisbon, 2007: Joseph is a tormented American seminarian, a member of Opus Dei, who has come to Lisbon to help organize an exhibition of the Franciscan Order in Lisbon's Cathedral. The exhibition brings to Portugal a legendary mirror, "The Mirror of St. Francis of Assisi", that was said to have allowed St Francis to see the next morning. On the day of his departure, Joseph, at the train station, literally bumps into Giulia, a beautiful and irreverent Italian writer with whom he establishes an immediate chemistry. Giulia tells Joseph she came to Lisbon to try to find a mysterious Portuguese singer who her father had a relationship with in Lisbon before he left to fight for the Portuguese in their colonial war.

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The Pied Piper of Hützovina

In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his energy and his musical verve, and desperate to get to know him better, she decided to make a film about him. The Pied Piper of Hutzovina follows Eugene and Pavla on their subsequent road trip through Eugene's home country, Ukraine. It is the story of two people traveling together on two very different courses. Her aim is to rediscover a forgotten romance; his is to rediscover his roots. She hopes to find love on the road; he hopes to find musical inspiration from the gypsy culture he is determined to preserve. This is an intimate portrait of a filmmaker with a passion for her subject, and a punk musician with a longing to revisit his past. Theirs is a journey which tests their relationship and challenges their perceptions of the music they both love

The Revolt of Dignity. The Zapatista Movement in Chiapas

On January 1, 1994, thousands of indigenous people occupied seven towns in the southern Mexican state of Chiapas under the slogan "Ya Basta!" (Enough!) occupied seven towns in the southern Mexican state of Chiapas. For two weeks, the Zapatistas - who named themselves after the revolutionary Emiliano Zapata - fought armed against the government, which had only contempt or violence for them.

The Sandlot: Heading Home

A successful professional baseball player gets his ego in check via an unreality check when he travels back in time to his boyhood sandlot ball-playing days.

The Rolling Stones - The Biggest Bang: Copacabana Beach, Rio de Janeiro

The Rolling Stones played in front of 1.5million people, the biggest concert of all time, at Copacabana Beach, Rio De Janeiro, on the 18th February 2006 to promote the release of their studio album "A Bigger Bang" as part of the Bigger Bang Tour.

The Sounds of the Underground

A documentary about the lives and experiences of four groups of subway performers revealing how these artists are perceived by society.