Basic Brewing - Introduction to Extract Home Brewing
Instructional video describing how to get started with extract brewing.
Instructional video describing how to get started with extract brewing.
It's Christmas time. A sober alcoholic tries after six years to meet his son, but the first desperate attemp only results in reluctance and rejection.
Mira, disobeying her parents, stays home alone for the first time during school break… She thinks herself strong and self-reliant, but will be proved wrong when fear comes upon her. The moments passed with her only friend Mathieu stir up her confusion. Gradually, fear permeates everything. A shadow hunts her, a shadow feeding on her refusal to grow up and become a woman.
A documentary about dreams that run away when you wake up, but above all about fragments from dreams that linger. And about fears as driving forces.
Story Les Couilles de mon chat Movie Poster Les Couilles de mon chat Cast & Crew Production Company: Country: Language: Budget: 7000…
In the Fifth Year of the Keicho era, the Tokugawa clan sought to solidify their control of Japan. Hidetada Tokugawa has come to the doorsteps of Ueda Castle with the intentions of having ...
Peter Aalbaek Jensen is one of the greatest danish film producers. In 1998, he founded Filmbyen a Film-Town with his partner and friend Lars von trier. This movie shows one day in Peter's lifetime.
"On The Low," a short film, explores the emotional consequences of a hush-hush intimate relationship between two African-American high school boys. It tells the story of a young man, Ty Evans, coming to terms with his sexuality and the inner conflict he experiences. The true extent of Ty's relationship with his classmate, Kevin Banks, begins to trouble him when the boys get into a schoolyard shoving match. As the tension between them escalates, Ty realizes what began as innocent curiosity and experimentation has blossomed into something deeper.
Director Scheffer registered a performance of the Tea Opera by Chinese composer Tan Dun (who won an Oscar in 2001 with his score for Crouching Tiger, Hidden Dragon). Scheffer interlaces the images with interviews with Dun, stage director Pierre Audi and librettist Xu Ying, about the opera and the role tea and oriental philosophy play in this work. Using monochrome, sometimes abstract images (in yellow, blue, red and green), close-ups of plants and flowers and images of the Chinese nature and people (sometimes accelerated or decelerated, sometimes in black-and-white), he mirrors the stylised opera performance and Dun's reflective music.