A Man Who Was Superman

SONG Soo-jung is a producer going on her third year at a small company. Her specialty is human interest stories. She is driven to produce these shallow stories for the sake of her ambition of one day becoming Korea’s own Oprah Winfrey. However, she is reaching the end of what’s left of her pride. One day, after months of not getting paid, she leaves her office with the company camera to produce a story on a lion apparently refusing to eat its meal. On her way, however, she comes across a robber, but she is saved somehow by Superman in a Hawaiian shirt. “Superman” claims he’s unable to tap into his supernatural powers as the bad guys have placed kryptonite inside his head. However, he doesn’t let that get in his way from helping others, from saving the world from global warming to saving a lost puppy.

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Feasting or Flying

Feasting or Flying by Harun Farocki and Antje Ehmann alludes to the statement: "Some dissect a bird in order to eat it, others in order to discover how to fly". A six- channel deconstruction of the tragic male hero in cinema.

feeling of night

8mm film by Idei Hiromi

Familiar Strangers

"Familiar Strangers" asks the question. "Is it really possible to relate to ones parents and siblings after being replaced by the family dog? . . . Perhaps as friends - weird friends?" An off beat - funny - heartfelt story of family negotiating the changing relationships between parents and children, especially as those children grow into adulthood.

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Female Slaves Revenge

After a slave uprising, 10 black mistresses of a white landowner decide to capture their master after he refuses to turn over his ill-gained wealth.

Femmes d'Anvers en Novembre

Femmes d’Anvers en novembre is a dual projection piece rich in atmosphere and charm, filled with references to early French and American film noir – a deliberate homage, shot in close-up and medium close-up, to the smoking woman. The focus on the everyday activities of women (the core trope of Akerman’s masterpiece Jeanne Dielman) is a recurring theme in much of her work; Femmes d'Anvers signals a return to this motif. In it, Akerman tackles the thorny question of a person’s fundamental freedom to choose what to do with his or her body.

Fenêtres

"In this film, I wanted to explore the potential of in-camera editing by photographing and juxtaposing the window frame and its outside landscape as visual references. I executed three attempts (using three rolls of 16mm film) and aligned them one after the other. I wanted to show the raw material exactly as captured inside the camera." ⁠— Alexandre Larose

Fate

In Cross Street, memories fade and everyone can start his life anew.

Fence

Before World War II, Ikego village was an idyllic agriculture community. The Imperial Navy took over the village and the hills to build the largest ammunition preserve in Asia. When Japan lost, these facilities were taken over by the US Navy, and are now housing for the American soldiers.